Digital Cultures Research Lab
Organisational unit: Projectteam
Organisation profile
The Digital Cultures Research Lab (DCRL) aims to further develop, systematize and internationalize the research area of digital media, already a distinctive feature of Leuphana University, and to expand the Centre for Digital Cultures (CDC) into a transdisciplinary, systematic and internationally renowned centre of research. The Research Lab’s work is therefore closely connected to the Institute for Culture and Aesthetics of Digital Media, the extensive media research and development-activities within the Innovation-Incubator (co-funded by EFRE and Federal State of Lower Saxony) and the German Research Council-funded Institute of Advanced Studies on “Media Cultures of Computer-Simulation” (mecs). It is funded by the “Niedersächsisches Vorab” program of the Volkswagen Foundation.
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Elevator as a mediating technology of organization
Bernard, A., 12.12.2019, Oxford Handbook of Media, Technology and Organization Studies . Beyes, T., Holt, R. & Pias, C. (eds.). Oxford: Oxford University Press, p. 214-224 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Empfehlungsregime: Zur Konvergenz von Subjektivierungsweisen im Coaching und in der digitalen Kultur
Traue, B. C., 2013, In: Psychotherapie & Sozialwissenschaft. 15, 2, p. 67-91 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Entwickler
Bialski, P., 2017, Nach der Revolution : Ein Brevier digitaler Kulturen . Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 140-148 9 p. ("Duisburger Dialoge" der Haniel Stiftung).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ereignis
Engemann, C., Traue, B. & Scholz, R., 2014, DiskursNetz: Wörterbuch der interdisziplinäre Diskursforschung. Wrana, D., Ziem, A., Reisigl, M., Nonhoff, M. & Angermüller, J. (eds.). Berlin: Suhrkamp Verlag, p. 134 1 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 2097).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Existential Graphs as Ontographic Media
Wentz, D., 2019, In: Zeitschrift für Medien- und Kulturforschung. 10, 1, p. 177-189 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Exploding Images
Tollmann, V., 2014, Every Whisper is a crash on my ears. Missa, A. (ed.). London: Arcadia Missa, p. 190-204 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Eye Contact with the Machine: Gaze Correction in Video Conferencing
Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Feminismus und Film
Horstmann, F. (ed.), Wentz, D. (ed.) & Waack, L. (ed.), 12.04.2019, Bremen: Institut für Kunstwissenschaft – Filmwissenschaft – Kunstpädagogik, Universität Bremen. (Nach dem Film; no. 17)Research output: Books and anthologies › Special Journal issue › Research
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Fictions of the Possible: Art, the City and Public Entrepreneurship
Beyes, T., 27.10.2015, In: Journal of Management Inquiry. 24, 4, p. 445-449 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Filmische Moderne: 60 Fragmente
Fahle, O. (ed.), Gotto, L. (ed.), Neitzel, B. (ed.), Nowak, L. (ed.), Wagner, H. (ed.), Wendler, A. (ed.) & Wentz, D. (ed.), 27.02.2019, Bielefeld: transcript Verlag. 462 p.Research output: Books and anthologies › Collected editions and anthologies › Research