Digital Cultures Research Lab
Organisational unit: Projectteam
Organisation profile
The Digital Cultures Research Lab (DCRL) aims to further develop, systematize and internationalize the research area of digital media, already a distinctive feature of Leuphana University, and to expand the Centre for Digital Cultures (CDC) into a transdisciplinary, systematic and internationally renowned centre of research. The Research Lab’s work is therefore closely connected to the Institute for Culture and Aesthetics of Digital Media, the extensive media research and development-activities within the Innovation-Incubator (co-funded by EFRE and Federal State of Lower Saxony) and the German Research Council-funded Institute of Advanced Studies on “Media Cultures of Computer-Simulation” (mecs). It is funded by the “Niedersächsisches Vorab” program of the Volkswagen Foundation.
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Antworten
Beyes, T., 2015, Das bewegte Buch. Ein Katalog der gelesenen Bücher: mit 104 Beispielen aus dem Deutschen Literaturmuseum Marbach. Gfrereis, H. & Pias, C. (eds.). Marbach am Neckar: Deutsche Schillergesellschaft e.V.Research output: Contributions to collected editions/works › Chapter › peer-review
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Spacing organization: non-representational theory and performing organizational space
Beyes, T. & Steyaert, C., 2012, In: Organization. 19, 1, p. 45-61 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Performativity, performance studies and digital cultures
Leeker, M., Schipper, I. & Beyes, T., 31.12.2016, Performing the Digital: Performativity and Performance Studies in Digital Cultures. v. Leeker, M., Schipper, I. & Beyes, T. (eds.). Bielefeld: transcript Verlag, p. 9-18 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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By Means of Which: Media, Technology, Organisation
Beyes, T., Holt, R. & Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 498-514 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Overhead Projector
Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 286-300 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Maker*innen Bewegung: Was die Mikroökonomie, die Feldtheorie und die Praxistheorie über sie zu sagen haben
Conrad, L. & Maier, M., 18.01.2021, DIY, Subkulturen und Feminismen. Czerney, S., Eckert, L. & Martin, S. (eds.). Hamburg: Alma Marta Verlag, p. 196-232 37 p. (Aspekte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The organizational powers of (digital) media
Beverungen, A., Beyes, T. & Conrad, L., 01.09.2019, In: Organization. 26, 5, p. 621-635 15 p., 867206.Research output: Journal contributions › Journal articles › Research › peer-review
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Bis auf Weiteres: Pinnwand und Serie – Einleitung
Engell, L., Maeder, D., Schröter, J. & Wentz, D., 03.2017, Bis auf Weiteres. Pinnwand und Serie. Engell, L., Maeder, D., Schröter, J. & Wentz, D. (eds.). Marburg: Schüren Verlag, p. 5-10 6 p.Research output: Contributions to collected editions/works › Other › Research
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Existential Graphs as Ontographic Media
Wentz, D., 2019, In: Zeitschrift für Medien- und Kulturforschung. 10, 1, p. 177-189 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Stranger Things II (2017)
Wentz, D., 27.02.2019, Filmische Moderne: 60 Fragmente. Fahle, O., Gotto, L., Neitzel, B., Nowak, L., Wagner, H., Wendler, A. & Wentz, D. (eds.). transcript Verlag, p. 445-450 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research