DFG-Researchgroup "Cultures of Critique"
Organisational unit: Projectteam
Organisation profile
The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.
The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.
Spokesperson: Prof. Dr. Beate Söntgen
Deputy spokesperson: Prof. Dr. Erich Hörl
Main research areas
Kunstkritik, Medienkritik, Sozialkritik
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Introduction
Hörl, E., Pinkrah, N. Y. & Warnsholdt, L., 2021, Critique and the Digital . Hörl, E., Pinkrah, N. Y. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 7 - 24 18 p. (Critical Stances).Research output: Contributions to collected editions/works › Other › Research
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Eine Frage von Genauigkeit? Die gesellschaftspolitische Ausrichtung visueller Statistik bei William Playfair
Sieber, J., 08.12.2021, Imagination und Genauigkeit: Verschränkungen in Künsten und Wissenschaften. Dätwyler, L., Klarskov, A. & Knierzinger, L. (eds.). Berlin: Neofelis Verlag, p. 25-42 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Landnahme, analog und digital. Ursprüngliche Akkumulation in den Kontrollgesellschaften
Nigro, R. & Stubenrauch, H., 2021, In: Behemoth : a Journal on Civilization. 14, 2, p. 61-74 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Segment Introduction
Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).Research output: Contributions to collected editions/works › Other › Research
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Liquidity - Networks - Deterritorialisation: Allan Sekula's Critique of Flow
Kuhn, H., 2022, Fluidity : Materials in Motion. Finke, M. & Nakas, K. (eds.). Berlin: Dietrich Reimer Verlag, p. 39-58 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Femizide. Versuch einer hegemonietheoretischen Deutung der Rechtsprechung
Mattutat, L., 2022, In: Kritische Justiz. 55, 4, p. 453-466 14 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Freie Rede
Schneider, T., 2022, In: 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur. 3, 2, p. 511-527 17 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Mach mal: Oder Produktion ist anderswo
Hafner, H.-J. & Schneider, T., 28.07.2022, Involvierte Autonomie. : Künstlerische Praxis zwischen Engagement und Eigenlogik. Eusterschulte, B. & Krüger, C. (eds.). Bielefeld: transcript Verlag, p. 127-150 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Der Mucha - Ein Anfangsverdacht: Kunstsammlung NRW, K20 + K21 03.09.2022 – 22.01.2023
Schneider, T., 2022, In: Kunstforum international. 2022, 285, p. 253-254 2 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Queering
John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review