Enrica Picarelli

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Enrica Picarelli

  1. 2015
  2. Published

    On the Problematic Productivity of Hype: FlashForward’s Promotional Campaign

    Picarelli, E., 01.01.2015, Besides the screen: Moving Images Through Distribution, Promotion and Curation. Crisp, V. & Menotti, G. (eds.). London: Open Books Press, p. 125-144 20 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  3. 2014
  4. Published

    Nostalgic Masculinity and Imperialist Fantasies in Parade's End

    Picarelli, E., 2014, Bringing History to Life Through Film: The Art of Cinematic Storytelling. Morey, K. (ed.). Lanham: Rowman & Littlefield Publishers, p. 219-236 18 p. (Film and History).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. 2013
  6. Published

    When Matter Becomes an Active Agent: The Incorporeal Monstrosity of Threat in Lost

    Picarelli, E., 18.07.2013, Monster Culture in the 21st Century: A Reader . Levina, M. & Bui, D-M. T. (eds.). London: Bloomsbury Academic, p. 273-286

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Be fearful: The X-Files' post-9/11 legacy

    Picarelli, E. & Gomez-Galisteo, M. C., 02.2013, In: The Journal of Science Fiction Film and Television. 6, 1, p. 71-85 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Aspirational paratexts: The case of “quality openers” in TV promotion

    Picarelli, E., 2013, In: Frames Cinema Journal. 3, 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Il corto digitale nell’economia televisiva del ‘momento’

    Picarelli, E., 2013, Media Mutations: Gli ecosistemi narrativi nello scenario mediale contemporaneo. Spazi, modelli, usi sociali . Bisoni, C. & Innocenti, V. (eds.). Stem Mucchi Editore, p. 263-272 10 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  10. Published
  11. 2012
  12. Published

    Frontierism and Dystopian Representations of Home in F. Pohl and C. M. Kombluth's The Space Merchants

    Picarelli, E., 10.2012, Critical Insights: Dystopia. Booker, M. K. (ed.). Pasadena: Salem Press, Vol. 1. p. 175-191 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. L’avventura della percezione tra rappresentazione e affetto

    Picarelli, E., 05.09.2012, In: Observatorio (OBS*). 6, 3, p. 49-65 17 p.

    Research output: Journal contributionsScientific review articlesResearch

  14. Published

    Between Allegory and Seduction: Perceptual Modulation in Battlestar Galactica

    Picarelli, E., 02.2012, In: Scope: An Online Journal of Film and Television Studies. 22, p. 1-20 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  15. Published

    Sensory Regimes in TV Marketing: Boardwalk Empire’s Chromatic Enhancement and Digital Aesthetics

    Picarelli, E., 2012, In: Transformations - Journal of Media & Culture. 22, 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  16. Published

    The Folding of the American Working Class in Mad Men

    Picarelli, E., 2012, Blue-Collar Pop Culture: From Nascar to Jersey Shore. Booker, M. K. (ed.). Santa Barbara, Denver, Oxford: Praeger Publishers, Vol. Volume 2: Television and the Culture of Everyday Life. p. 191-209 19 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review